LIGHTSCAPES / 30 October 2017 to 1 April 2018
Hive is a series of photographic works shot throughout RMIT’s New Academic Street, a large area of the University that is currently undergoing a major reconstruction and transformation.
LIGHTSCAPES / 30 October 2017 to 1 April 2018 at Knox Place
Forming a part of the 2017 Graduate Exhibition for the Master of Arts – Art in Public Space this series of images represents works undertaken in the public realm by five of our recent Graduates: Luping Chen, Grace Leone, Jasmine Pilcher, Julie Stevens and Lyndall Watson.
Candidates explore the public realm in keeping with their arts practice and research interests. These images present a curated mapping of the research journey undertaken in a range of public contexts that engage in conversations around borders, cities and construction, affect and immersion, infrastructure and memory.
Aoife Coleman is one of the recipients of the 2018 Honours Travelling Scholarship, an award which is generously supported by RMIT University School of Art. Aoife will be travelling to Iceland to attend a remote art school for three months and will be undertaking a series of workshops specialising in conceptual performance, spatial and sound art practice.
SITUATE / 3 February to 6 March 2018
SITE EIGHT / 2 March - 15 March 2018 (Opening Thursday 1 March 5-7pm)
Tisna Sanjaya is a leading contemporary artist from Indonesia. Born in 1958 in Bandung, West Java, he currently lives and works in Bandung.
From 5 February to 6 March Tisna Sanjaya will engage in a month-long residency at the School of Art, culminating in an exhibition in the RMIT School of Art at SITE EIGHT gallery space.
PROJECT SPACE / 31 January to 23 March 2018 (Opening Thursday 22 February 5-7pm)
SPEAKER / Tuesday 13 March 12.30pm-1.30pm
For this newly commissioned exhibition at RMIT Project Space, Just will present an installation of a new series of neon works inspired by the use of feminist hashtags in social media spaces to generate dialogue and attention about the current issue of sexual harassment and violence against women. Focussing on the placement of four key neon phrases, including How I Will Change, upon pastel painted walls, Just’s installation highlights the undercurrent of optimism and inclusion in texts which centre on sharing, solidarity and social transformation.
SPARE ROOM / 31 January to 22 March 2018 (Opening Thursday 22 February 5-7pm)
LIGHTSCAPES / 31 January to 1 April 2018 at the Building 2 Lightwell
Take the leap into the queer digital realm with this extraordinary project that gathers together digital artworks by queer identifying artists from across the globe, presented by QueerTech.io and Midsumma Festival in association with Testing Grounds, ACMI and RMIT:ART:INTERSECT.
Themes emerging from the 2018 selection include digitally-born queer utopias, queer re-imaginings of computer game platforms, and interactive works that extend the digital as a queer prosthesis. The project will feature over twenty artists engaged in making neural networks, augmented reality, computer games, interactive websites and video art.
Jarryd Cooper is the recipient of the 2018 studio residency award and will be travelling to the Leipzig International Art Programme (LIA), located in the historic and thriving Spinnerei art complex in Leipzig, Germany. Jarryd's residency will conclude with a solo exhibition at the Australian Embassy in Berlin.
SITUATE / 10 March to 22 April 2018
SPEAKER / 27 March 2018, 12.30-1.30PM at RMIT building 12, level 7 room 2
Isabel Nuño de Buen (Mexico City, 1985*) is an artist working in the fields of sculpture and drawing. Her sprawling, fragmentary, large-scale sculptural installations are built with inexpensive materials such as cardboard, papier maché, plaster and steel to create what resemble outsized maquettes of a decidedly lyrical nature.
Bakhtyar Kaftan is the recipient of the 2018 studio residency award and will be travelling to the Gurodong Studio in Gurodong, Seoul, South Korea. Bakhtyar’s residency will conclude with a solo exhibition at the Sangmyung University Gallery, Space Zero Gallery.
SPEAKER / Friday 6 April 2018 7-8pm
Adam Linder (b. 1983, Sydney) lives and works in Los Angeles and Berlin. He makes stage works and provides Choreographic Services.
SPEAKER / Tuesday 10 April 2018, 12.30pm-1.30pm at RMIT Building 12, Level 7, Room 2
Nikki Lam is a visual artist, curator and arts worker based in Melbourne. Nikki’s practice engages in the complexity of belonging through the exploration of self, memory and space. Working primarily with the moving image, she is passionate about the cross-sections of screen cultures, media arts and cultural narratives. She is interested in exploring the translations of hybrid identities, often through studies of rituals, language and representations.
SPEAKER / Tuesday 17 April 2018, 12.30pm at RMIT Building 12, Level 7, Room 2
TextaQueen is known for using the humble felt-tip marker to draw out complex politics of gender, race, sexuality and identity.
SPEAKER / Tuesday 24 April 2018, 12.30pm at RMIT Building 12, Level 7, Room 2
Artist, DJ and musician Betty Apple will present an artist talk on her practice and philosophy as a contemporary Taiwanese performer.
PROJECT SPACE SPARE ROOM / Friday 6 April to Thursday 10 May 2018
(Book Launch Thursday 5 April 5-7pm, with opening remarks by Prof. Daniel Palmer)
RMIT:ART:INTERSECT presents the Australian launch of ISLAND, a new publication project created by Ian Strange. This is a companion to his body of photographic work of the same name created in the USA between 2015 and 2018. This limited edition publication will be exclusively available at the launch and will be exhibited alongside photographic works, artefacts and drawings from the ISLAND series.
ISLAND is published by PAMPAM Press with the support of Ian Strange Studio, Australia Council for the Arts and the Australian Cultural Fund.
SITUATE / 1 May to 12 May 2018
SITE EIGHT / 9 May to 24 May 2018 (Opening Thursday 10 May 5 - 7pm)
SPEAKER/ 9 May 2018 7:30 - 8:30pm at RMIT Building 80, Level 2, Room 7
The first one-person exhibition in Australia of work by the London-based artist David Batchelor. For the past twenty five years, Batchelor has been exploring the strange complexities of colour in works that encompass sculpture, installation, painting, drawing, photography and animation. He has also published a number of books and essays on colour, including Chromophobia (2000). In this exhibition Batchelor will show over one hundred drawings, together with photographs, some new animations, and a group of sculptures made during his visit to Melbourne.